Man who authored everything on the internet: February 2011

FOOTNOTES ON THE BEACH

1 - "All is empty with everything", pp 12311
2 - "The Invisible Book Of You", pp 33-36
3 - "My brain is your bra", pp 77
4 - "Partial list of things to play on the gramophone: rainbow design moon unit, national nightfalls, radio colored animals, brain bears, feather father biscuit, meat and oranges in the church, rats in color, rain bicycle coat, ghost stampedo, masturbating after every meal, telepathetic organs, violent man who attacked his own heart, propeller of a wedding dress, dream about nothing, mysterious pleasure at noon, vagina decade, brain blood detective, moment shaped like tree, revolutionary murder anthem, saints plagiarism, soft tissue of the mankind, the night of margaret, moonfight fu, something strange by the river, daylight cancer, january curated by matthew, ending in tragedy and neon, meta-money credit protocol, penis molester indigo, towns disappeared beneath the map, Monika's documentary dreams, wireless brain pulp, wrong side of the heart, internet of emotions"
5 - During his miraculously long life he was involved in the production of many films, from his early one, made of black woods and white air, "This Rain Is for You" (1805), to the highly notorious: "How Long Is Death" (1811), "Lyrical Nitrate In Your Eyes" (1848), "Blue Dream In Red Shoes" (1871), "Time Gravity" (1914), "Place For Me and a Moon" (1939), "This City Is a Fur Around My Face" (1968), "Earth's Consensual Ireality" (1989), "Devil's Nightmares" (2001)
6 - "I still don't know why did you kill me and then left me alone." In Gilbert's translation: "This dark noise is very lonely."
7 - "Mirror took her pants off. Camera just joined in." In "My Pains Collection", pp 333
8 - ibid., pp 12
9 - "She brushed the iceberg of her brains to get the ghosts out. She looked down the eye toward the birds. There were two lakes high in the sky above the birds. Lazy micro-whales parked about a heart from shore and rolled onto the fresh breast." In Ken-Spar Ling "The Worst and Even Better" pp 11